Sharadkumar Radhakrishna Dandge have composed historical rhythmic show named Om Panchnaad (One man rhythmic concert) which is one and only concert in whole history of Indian rhythm

I am Sharadkumar Radhakrishna Dandge from Aurangabad (M.S.), i am priest (Pujari) 12th jyotirlig shri ghrushneshwar mahadev tempal, Ellora, Dist. Aurangabad (maharashtra)I have composed historical rhythmic show named Om Panchnaad (One man rhythmic concert) this is one and only concert in whole history of Indian rhythm.

In India their are different states having their own regional musical instruments, which vary in size , shape, style and sound which comes out of it, in the program Om Panchnaad, I have made sound from 10 types of tablas & dhol (Instruments sound which comes out from 10 tables & one dhol). 1] Pakhawaj; 2] South Indian Mruduggam; 3] Tabla; 4] U.P.,M.P., Bihar’s Dholak; 5] Maharashtrian Dholaki; 6] West Bengol’s Khol; 7] Khanjiri; 8] Daff; 9] Maharashtrian Sambal; 10] Assam ’s Bihu Dhol Style; 11] Keral’s Chanda; 12] Rajstani Nagara; 13] Panjab’s Dhol Style; 14] Gujrat’s Kacchi Dhol Style; 15] Maharastrian Pawli Dhol Style; 16] West Bengol’s Dhak Style (Dhol); 17] Gadhwal Dhol Style; 18] Bongo (Westrn Instruments); 19] Jambe (Westrn Instruments); 20] Sneare Drum; 21] kongo; 22] Base Drum; 23] Tasha; 24] Odisi Mardal; 25] Damru. Near about more than 25 different instruments.

This instrumental jugalbandi will be played by me only. This Programme was invented on 21 Feb. 2003 and I was registered in LIMCA BOOK OF RECORD 2006 and 2011. INDIA BOOK OF RECORD-2010, ASIA BOOK OF RECORDS-2011, WORLD AMAZING RECORDS-2011, WORLD RECORDS OF INDIA-2011, Recorded in the TOP 120 TALENTS IN INDIA 2012. I was play on Tedx (Ted talk show)

I have invent 25 different instruments with some Western Patterns, presently doing research on ‘TAAL THERAPY’. I have done more than 500 programes all over India . Recently TIMES MUSIC COMPANY has released an AUDIO CD worldwide of my program. Aim: Tabla is played in Hindu’s mandir, Muslim’s Kawwali, Sheekh Grudwara, Issai’s church. Tabla is played every where. Tabla never said that I played in Hindu’s mandir then why I do in others? Tabla never do Castism then why do we? If one man can play different musical instruments which belongs to different states different country which has there own culture; if one man can play all the musical instruments from all states then how can we be different? We are one and the same. Now a days youth of India is looking towards western music so our intention is to make them know that we can play western music from our own classical and regional instruments. Regards Sharadkumar Radhakrishna Dandge Aurangabad ( chh.SambhajiNagar ) 9822769597